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Smell would have been inevitable, and in 1882 a sludge pressing plant was added in an effort to keep pace with the growing volume of waste entering the sewer network, presaging the progressive enlargement of the works which was a feature of the closing years of the 19th century
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De Morgan Foundation, reproduced by permission COLLIERS WOOD Impressed Merton Abbey marks on De Morgan pottery and tiles reproduced by courtesy of Richard Dennis Publications J W Mackail, Morriss first biographer, stated only that the plan of joint, or even contiguous, factories never fully took effect.1 Later writers have contented themselves with locating De Morgan, vaguely, next door to Morris,2 or very close by.3 The Museum of Londons booklet on Morris4 placed De Morgans workshop in the middle of the Morris site, as seems to have been the original intention.5 Apart from the fact that no building is shown there on the OS 1:2500 map of the mid-1890s, a well-known article from 1883 in The Spectator makes it clear that the sites were indeed quite separate: Turning out of the garden [of the Morris site] it says, a few minutes along the high road brings us to the building where Mr
