PLATTELAND (1995) Ephemera some minor staple pulling

some minor staple pulling

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prison art

Publisher: Gost

PLATTELAND (1995) Ephemera some minor staple pullingFor almost two decades, Roger Ballen, an American, photogrpahed the South African countryside, searching for aesthetic symbols to convey a sense of the place and the people. Platteland was born of the profound irony that, despite the political privilege apartheid had bestowed on whites, in the physical heart of the land, there is inescapable testimony to the failure of the regime even to secure the well being of the privileged minority. Many of those